Search results for "Music Historiography"
showing 5 items of 5 documents
El nacimiento de la historiografia musical en Italia durante la segunda mitad del siglo XIX y los problemas del metodo historico
2015
The article explains the role, the scope and the methods of the 19th-Century music historiography in Italy in comparison to positivism, which fostered a scientific methodology to reshape history of arts and literature. Aiming to discover the value and the ideal place of musical oeuvre, some historiographers described the periodization by means of different paradigms and philosophies, drawn from the theory of evolution of Darwin and Spencer, and the positivism of Hyppolite Taine. Some essays, such as "L’evoluzione nella musica" (1898, 1911 enlarged ed.) and the monograph "Riccardo Wagner" (1890), written by Oscar Chilesotti and Luigi Torchi, are examined at the light of those philosophies. I…
Introduzione
2005
The Introductory word explains the role and scope of music historiography during the second half of 19th-Century Italy. At that time, historiographers were oriented to discover the value and the ideal place of musical oeuvre, rethinking music periodization through different paradigms and philosophies.
PREFAZIONE a FIORI ALESSANDRA, Musica in mostra. Esposizione internazionale di musica (Bologna 1888)
2004
La creazione di collezioni di musica e strumenti in occasione della Esposizione internazionale di Bologna nel 1888, in base a una prima idea di storia cronologica e di genere, funzionale al concetto di museo immaginario della musica.
Per uno studio della storiografia musicale in Italia nel XIX secolo
2005
Italian musicologists have hitherto shown scant interest in the music historiography of the nineteenth century. And to date, there has been no global vision of the ways of which history was written during the period in which scientific musicology was born (the late nineteenth century and early twentieth). Also with a view to engaging on a “history of the histories of music” some time in the future, the paper examines the following issues: 1) the passage from history interpreted philosophically to history written by professional historians; 2) the foundation of the categories of “monument” and “document” and the relative processes of historicization (German: Historisierung) in the field of m…
Melodrammatici e risorgimentali: "I briganti" visti da Parigi
2022
L'articolo si concentra sull'opera di Saverio Mercadante e Jacopo Crescini "I briganti" (Parigi, Théâtre-Italien, 1836), e indaga, in una prospettiva storiografica culturale e ricostruttiva, i suoi significati melodrammatici e risorgimentali. The article focuses on the opera of Saverio Mercadante and Jacopo Crescini "I briganti" (Paris, Théâtre-Italien, 1836), and investigates, in a cultural and reconstructive historiographical perspective, its melodramatic and risorgimental meanings.